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Cake day: August 4th, 2023

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  • 58008@lemmy.worldtoMemes@lemmy.mlMath
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    18 days ago

    I was denied a mathematics education, for real. I can’t even do long division, nevermind that squiggly F shit. I thought that stuff was only for astrophysicists.

    I want to learn basic maths, but I’m in a ‘learned helplessness’ mindset where I can’t even get through basic sums and equations intended for children (I’m old as fuck now).

    I was diagnosed with autism a few years back, which kinda made no sense. I would have expected rainman powers, but numbers just don’t jive with my cunt of a brain. Maths is as inscrutable to me as people’s faces or social cues.
















  • Elon is psychologically compromised. Not sure if it’s rampant drug abuse, mental illness unrelated to drugs, a brain tumour, or what. But the man is not on planet earth, and not in the way he would prefer. If he weren’t a billionaire, he’d be sectioned/committed. Same with Kanye; that dude would be in care in no time flat if he were a regular Joe. This is one of the few ways that being rich and famous is a net negative; when you need help the most, you get enablers and yes men instead fermenting your insanity for their own purposes or out of fear for their own livelihoods.








  • I watched My Neighbour Totoro (1988) yesterday for the first time. I’m not into animé in the slightest, I actively hate most of the pop culture that surrounds it, so I was bracing for impact before starting it. But man, it’s an incredible film. The background artwork was breathtaking, every frame was literally a painting, shown for a second or two then gone forever. The level of detail was overwhelming. There was something about the way it was animated and coloured and “lit” that made it feel like my soul was being nourished.

    The youngest kid was so well-written and animated, reminded me so much of my nieces and nephews at that age. The way small everyday human things were included elevated the experience hugely. Like, the way the kid clumsily walks down the stairs, or the way someone puts their shoes on (they even animated the dad slipping his shoes off from the chest up, so you just see his shoulders move in a way that makes it clear what his unseen feet are doing, really masterful stuff).

    My one criticism of it - and this may be a criticism of animated films in general - is the “frame rate” of the character animations. It was bordering on being a slideshow. Hand-drawn stuff that isn’t rotoscoped tends to have this issue, even in modern video games, and in Eastern animation in particular. For example, The Simpsons never had this problem, but Dragon Ball Z and Pokémon did (it’s probably one of the things that put me off the genre). It seems to be a stylistic choice, rather than just trying to save money by skipping the creation of every second frame. If so, it’s a choice I dislike and feel hurts the experience a little. Not hugely, just a little.

    The story and acting were really pitch-perfect. Certainly a nice change from the grotesque shit I usually watch.

    I’m going to be checking out the rest of Studio Ghibli’s oeuvre over the coming weeks. First on the list are: Grave of the Fireflies and Spirited Away. There are a few non-Ghibli animé films I plan to watch, too. Perfect Blue is one.

    I just need to ensure I precede each film with 15 minutes of chanting “I am not now, nor have I ever been, nor will I ever be, a weeaboo”.