Spotube’s Android client had a lot of performance issues last time I tried it (which was a while ago, to be fair) and seemed to be pulling everything from YouTube Music despite the name. I think RiMusic and InnerTune are a lot better, personally. InnerTune if you want a simpler, more traditional UI, RiMusic if you don’t mind something a bit more convoluted but also fun and different. RiMusic has some more traditional UI options now as well but I like the older one with the menu on the side - it feels like an app on an early smartphone, back when everything was weird and fun.

And I get it, the internet is fueled by clicks and engagement which are fueled by anger

You could’ve just stopped there, to be honest. The entertainment industry has always been guilty of manufacturing outrage for interaction. My unsolicited advice for everyone is to just get back to enjoying your hobbies, whether they be film, video games, music or anything else, and stop caring about the associated noise online. There is a fake controversy about everything these days and so many people seem to get emotionally manipulated into actually thinking any of it is real or relevant and end up spending more of their time absorbed in the fake drama than they do actually enjoying the original hobby.

I’ve watched Simon Roper’s YouTube channel for many years, so the idea of cinema in a language I don’t fully understand isn’t as intimidating to me as maybe it is to others. It’s an interesting challenge that I’d definitely be up for, as I have an underlying interest in linguistics and old languages. The great thing about working in the horror genre is that you generally don’t need to rely on a scipt to tell your audience. It’s a genre that relies heavily on visual storytelling.

Totally agree with you in relation to groupthink and it’s the main reason I have them disabled too. I don’t like my opinion of a comment to be influenced by others before I’ve even finished reading it.

Okay, that first paragraph makes a bit more sense to me if I combine it with your first reply. Your primary critique here is of Eggers and his creative process and the potential effects on the quality of the film, rather than marketing and financial results. I think when you added that stuff it sent me off in the wrong direction, because it sounded like you were arguing that the language choice was a corporate decision and that it was a bad one because the average person is not capable of following medieval dialogue and therefore won’t be interested in seeing the film. I guess I enjoy the fact that Eggers is doing something different to his contemporaries and that overrides any concern I might have about creative quirks feeling forced. And selfishly, I feel pretty confident in my ability to follow older dialogue or subtitles so it doesn’t concern me if that confuses other viewers. You can’t please everyone and compromising on your creative choices in an effort to do so can be just as destructive to the final product.

I guess if you are arguing that it’s targeted marketing to a specific audience, then I can see your point. But that’s not the impression I got when you mentioned “any audience” in your previous reply. Regardless, I believe this is an artistic choice he makes and insists upon as opposed to a gimmick pushed by studios to hype up his films. His most recent film did not include this supposed gimmick, so I’m not sure how that applies to your “doubling down” theory.

I’m confused by your argument. It’s a marketing gimmick…that won’t work because modern audiences don’t tolerate period authentic dialogue? That doesn’t sound like a marketing gimmick.

Avatar 3 to be co-written by ChatGPT?

Spoilers for those who haven’t seen it:

I am not a big fan of the horror genre but I absolutely love what directors like Eggers and Flanagan are doing with it. Sort of making films and series about other things, that just happen to have a horror twist to them.

Not really sure what to expect from this one, the trailer was wild. I greatly prefer Bong Joon-ho’s older films (Memories of Murder, Mother) to his newer ones, though. I am a little worried he is starting down a path of pandering to Western audiences with these ultra violent, post-ironic comedy things but we’ll see. I think he is a much better director when he starts with a very serious premise and then adds some biting social commentary to it, as was the case with the two aformentioned films, rather than starting with the social commentary and going all absurdist.

Both Fahy and Beane recently starred in murder mystery series, so it’s kinda interesting to see them team up for this one.

While details are scarce, sources say the story is set in 13th century England. The script also features dialogue that was true to the time period and has translations and annotations for those uninitiated in Old English.

Sounds very promising, I love it when directors do this instead of dumbing down a script for wider appeal. I watched The Witch recently and the dialogue really added to the immersion, which in turn leads to a scarier film.

We actually can’t tell what’s AI and what’s real

You can if you pay attention. Multiple people called this out as AI.

Is anyone actually invested enough in Avatar to care about “twists” in the films? My feeling has always been that it’s a series people watch purely because of the visuals. The first one was a big event for this reason, and the second was a big event because it was the follow up to the first one and promised 13 years worth of improved visuals. No one really cared about the story, or the characters, or the world building to my knowledge - certainly not to the exrent that they do for other science fiction franchises like Star Wars or Alien (when Ripley existed).

I’m just so sick of the nostalgia bait. Let it end.

I wouldn’t have hated it so much if I hadn’t watched the first film. It felt more like an inferior remake than a sequel.

Because their entire poltical and world view is based on identity politics. They cannot simply say “that joke sucked” and move on, they have to make it into yet another virtue signalling exercise and lecture everyone else because that is the behaviour they associate with being a “good person”.

Thanks for sharing!

This is the type of list someone you meet at a party who “loves movies” would give you.

Seventeen-year-olds, last I checked, were kids.