Pretty cool you gave her a chance!
I’m a middle aged guy, and I grew up primarily on a mix of 60s-70s-80s rock that my dad fed me, great folk artists my mom loved, and the music of my own formative years (probably most impactful was the grunge scene and its most famous children).
I don’t identify with much modern music, but she’s someone I’ve always respected for some reason. There are obviously other exceptions as well, she’s just the biggest thing going right now.
Yeah…I’m not sure what sports we’re talking here. I don’t want to assume an American perspective, so I genuinely don’t know when it comes to soccer, cricket, rugby, etc.
But here Stateside, the best players are often not the most highly paid. Patrick Mahomes - and I understand people can disagree - is not the most highly paid QB. Not for a while. Prior to this season, Travis Kelce had been the top TE in the NFL for a number of years, but his contract hadn’t reflected it for some time.
Even without the salary cap, in a sport like Major League Baseball, one could argue a player like Shohei Otahni is still not being paid what he’s actually worth, despite his record breaking contract. He’s a Hall of Fame pitcher and hitter in one player. The contracts for each of those individually is worth more than what he got.
I feel like this is kind of a trap question. Everything about this entire thread feels that way - I don’t want it to seem as if I’m attacking you here - and it’s a microcosm of why discussion of Swift is so polarizing. For some reason, she, more than any other artist I can call to mind, is discussed in black and white terminology. There’s almost no middle ground. You need to either love her or hate her.
Does she possess the lyrical genius of, like, Leonard Cohen? I mean, I don’t know. I think she’s pretty great, but back in the day I’d have been stoned to death on r/Music for suggesting they were in the same league.
What I will say is I think she’s as honest as Cohen was, and that’s something the best songwriters all have. I think she writes from an extremely authentic place, and I respect the hell out of that. In recent years, I think co-writing with Jack Antonoff has only further unlocked her potential.
Some examples of hers I think are great - You’re On Your Own Kid, Champagne Problems, and My Tears Ricochet.
Her pop stuff has some great lyricism as well, but pop music as a genre is generally under appreciated for its lyrics. Obviously, not in all cases; there’s a shitload of manufactured garbage out there. But most of the 1989 album is borderline - if not outright - excellent in this regard. It didn’t get any serious attention though until that shitbag Ryan Adams covered the whole thing, and got people to hear the lyrics in a different way.
Holy shit, “bananus,” I am crying from laughing right now. Phew, I needed that!
Haha, I was wondering about this - I enjoyed it, too. It was worth the time if only to see Chris Evans having so much fun playing a psychopath.