This song (slowed + reverb to perfection - extended to 10 hours) BASS BOOSTED
This song Drip Remix
Don’t forget instrumental LoFi
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Don’t forget nightcore!
That is the good stuff.
Not really
._.
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No.
Is there a nightcore song that is actually any better than the original?
The only one I’ve ever heard is Freak Like Me by Hollywood Ending, but that seems to be the only genre it remotely works for, and most other songs just sound like a mess.
I’m partial to this one https://youtu.be/b1NEMNoXqc8?si=KFBowwRLNxmDLn-r
Or phonk
Nah we can definitely forget phonk
Nightcore taking me back in time, back then it is kind of “easy” to find nightcore edit on youtube. Although I don’t listen on those edit to me it is relic from the past :p
Too real bruh, they did dirty to ma boy S3rl and DJ Satomy
S3RL isn’t hurting from TickTock views. Boi has been deep in the raves for the last like 30 years. He’s a legend in his own right.
I know, but seeing the Nightcore uploads that are just lazy speed and pitch up edits of his early works like Pika girl, that get 30m views and his own OG upload is 3m makes me as an wannabe artist sad
Yeah but you have to aggregate all of his views, plus album sales, and concert ticket sales, to get a true picture. He has artists on his payroll who do his vocals. Hes doing well. I pump him everyday through his channels. There are smaller artists out there getting fucked, S3RL isn’t one of them. Shit, he started with Pretty Rave Girl just about, and thats a remix of a Basshunter song.
Those have been going since the early or mid 10’s though.
It’s DJ Satomi with an i. I like his Waves nightcore mix so much I went and found the original and applied the nighcore myself to get it in higher quality lol. I haven’t heard of S3rl so I’ll check them out.
S3RL is a pedophile. If you ever get a chance ask jole what DNA Lounge has to do with being forced to stop doing live shows.
Thanks for the compelling source you provided
Sir, this is the Internet; we take everything we read at face value and only believe what we want.
Wtf is a tiktok remix?
Mostly just a badly done remix.
Like that Oh No song?
GET OUT OF MY HEAD GET OUT OF MY HEAD GET OUT OF MY HEAD GET OUT OF MY HEAD GET OUT OF MY HEAD GET OUT OF MY HEAD
cognitohazard
A remix but it was on TikTok.
…So a remix basically. It’s like saying something is a YouTube remix because the creator put the song on that site first.
A remix, but namedropping TikTok because the search algorithm likes that.
Worse is when it’s on fucking Spotify as well.
Get that shit the fuck out of my playlists, if you’ve got the original then play it ffs. And not just the second half either.
I’m already bracing for Love Is a Long Road, but just the first 90 seconds of it because that’s what was in the GTA6 advert and that’s all these people have the attention span for.
You forgot to include the nightcore remix
There’s this genre of music in Brasil called funk (don’t confuse it with american “Kung-fu fighter” funk, is way different). And people do “mixes” where they slow down and add reverm to the songs, but now the own funk djs are releasing song that are slowed and revermed from the lets go, without releasing the original song. Idk what’s the idea behind that, im supposed to look for a speed-up non reverm mix now. Also, those slow down reverm version suck big time, except when are done by actual Djs in parties, there are pretty cool cause you can feel the bass making vibrations on your chest.
Are you talking about phonk maybe? This is a super common trope in the genre for sure.
While writing this comment I looked up Brazilian funk and realized that Brazilian funk is actually an offshoot genre of phonk, neat.
Brazillian funk cames from the 90s Miami bass, it had evolved a lot over time to what is now with a lot of different local variations. You can’t barely recognize the original funk for what is popular now.
Looking for phonk it’s dosen’t really sound close to what I call funk imo, but there was this other video whit “Brazilian phonk” that is what I call paulista’s funk, and what im listening more nowdays that I moved from Rio to São Paulo and I’m getting to know the local techno/funk scene. If you like phonk, listen to DJ K’s Panico no Submundo album, its basically phonk, but still have the base Brazilian funk rhythm.
I just got it from Wikipedia “Brazilian funk is a subgenre inspired by the underground hip hop style called phonk, which originated in the United States in the 1990s”
https://en.m.wikipedia.org/wiki/Funk_carioca
I will check out your recs for sure, thanks!
I tough Brazilian and carioca funk were basically the same, but was called Carioca on Brazil and Brazilian outside of Brazil. I guess what im listening now is phonk and not funk anymore, even when they always wrote “funk” on the genre of the parties (checking out the app where I look for parties, there’s only two where they said phonk instead of funk, but they also said that play anime intros and k-pop and you can miss me with that lmao)
Phonk has also been very distorted since its origins, with drift phonk basically taking over as the commonly seen style.
After this conversation I started to listen to Brazilian Phonk and its fucking lit, already went to a couple of parties with phonk that were great and everyone who I showed them tell me that it really cool. Thank you!
There’s also a lot of forró remixes
And people do “mixes” where they slow down and add reverm to the songs
…isn’t this dub?
It really is a huge issue. And when you see stuff like this you kinda understand why the RIAA takes the approach they do.
Sad but true
I was expecting a tictok remix of it lol. Good on you for finding the original still.
I’ve always wondered why artists don’t cash in and do this themselves.
Do the ones who do just not get popular or is it some sellout thing, or has nobody genuinely tried to do it regularly with their own music?
I would guess that, after working on perfecting a song for weeks or months, it feels very weird to completely change it in 2 minutes by applying 2-3 transforms/filters and releasing that as a separate version
“…It was a beautiful song but it ran too long. If you’re gonna have a hit you’ve gotta make it fit so they cut it down to 3:05.”
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I’ve seen more and more artists doing this kind of thing themselves lately. I think in the past artists were more upset with people making more successful versions of their songs just by speeding it up and found it would not be as intended if they released it like that themselves.
Plus, saturation is probably something to consider, if you make a sped up, a remix and whatever else for every single song you release your original, thought out pieces will get a little lost in the noise.
Yeah what I was thinking of was more on your last point. Especially with digital releases. Seeing three songs back to back for every new track might be okay for legit music push to the world, but it would look like notification hell.
Honestly I think the larger part of it is cultural tradition. How dare you listen to my music and lyrics in the way you like it. It’s meant to be this way!
Por que no los dos?
At least one did, it was a great clusterfuck of who ripped who and back n forth versions:
Oliver Tree - Jerk (Sped Up)
Oliver Tree & Robin Schulz - Miss You (Sped Up)
Southstar - Miss You (sped up)
Oliver Tree & Robin Schulz - Miss You
Southstar - Miss You
Oliver Tree - Jerk ----------------- originalI seem to remember buying cd singles back in the day that included remixes of the title track on the disc
“This song” but you’re crying alone in the bathroom of a party
And the unlabeled remix you think is the original, and when you finally hear the original it feels just shit
Even worse when the song doesn’t have lyrics
What about incomprehensible lyrics?
The best is when the original artist gets ahead of this and releases those mixes officially as well.
As much as I find it true however this more likely happen on popular/pop songs, as I never played easy-to-listen-modern-popular genre and earliest I find these stuffs around 2021 when I had to play this “already mixed playlist” for our workshop stereo.
I accept that internet has changed maybe because i’m observant ever since I jumped into internet back in early 2000s :)
